Showing posts with label tropical. Show all posts
Showing posts with label tropical. Show all posts

Monday, March 29, 2010

REVIEW: Tanlines - Settings

7.25 out of 10

Tanlines is new duo from the Brooklyn area that consist of Jesse Cohen (Professor Murder) and Eric Emm (Brothers). "Settings" is the their first release and hopefully not their last. Fans of Tropical-Electronic music, Chill Wave, or just plain ol' fashioned catchy Indie Electronic/Dance music should consider this a must own.

"Settings" starts off with a deep sub-kick sound mixed with tropical keyboard fx, and a few bongo drums, underneath that lays an array of sun washed guitar sounds. After that the band continues to bring the dance music into full swing. Certain points I am reminded of Tough Alliance, sometimes Fool's Gold, and most of the time Yeasayer (with a sunnier disposition). Chances are if you've heard of those bands (really who hasn't by now?) you will most likely love this release. I've been listening to this release the past couple weeks on repeat, especially the track "Three Trees" (ear crack). Synths, guitars, fun bass-lines, and lots of nicely laid out drum sounds make this album a true delight. Me likey Tropical Dance music, me likey..

Great album from beginning to end, the smile on your face may fade once the music goes away but that's OK! Just hit repeat (like I did) and listen to it all over again (you'll want to trust me). To put it simply this is Pop music done right. Recommended.

Standout Tracks: Real Life, Three Trees (one of the BEST TRACKS OF '10), Z

Friday, March 5, 2010

REVIEW: High Places - High Places Vs. Mankind

7.5 out of 10

High Places are an anomalous "Se-Mi-Lo-Fi" Dream Pop duo that bring to mind A Sunny Day In Glasgow gone more tropical. "High Places Vs. Mankind" is their second official full length album and, much like their debut self-titled release, it should catch the attention of most people into "weird/fun" Electronic Indie Pop or Dream Pop. I love High Places, they first caught my attention with the release of their collected b-sides/singles, and shortly after their debut album (which was a slight step-up). I would consider "High Places Vs. Mankind" another step in the right direction for this band, by bumping up the quality of their "formula" in every way possible they have created one of the most inimitable releases I have heard all year long.

Some listeners may consider this group "Electro", but I honestly don't hear that (maybe a little), I hear Dream Pop tendencies mixed with loose/quirky electronics. The best comparison I can think of for this band is A Sunny Day In Glasgow meets Soundpool meets "cruise ship music". I love the guitar work on this album (both droney and reverb-y), I REALLY love the vocal treatments, and I ESPECIALLY love the synths mixed with the odd timing drum patterns. On "High Places Vs. Mankind" the band's stronger/more vibrant sound will take the listener on a warm island vacation where a mad scientist greets you with his hair brain experimentation's/creations. Peppy, danceable, & experimental usually make for a great listening experience if you ask me.

In the battle of "High Places Vs. Mankind" I would say High Places are currently in the lead.. I like it, maybe you will to.. RECOMMENDED.

Standout Tracks: I kind of like 'em all, but..; The Longest Shadows, She's A Wild Horse (LOVE this track), Constant Winter

Wednesday, February 17, 2010

REVIEW: Jj - Nº 3

8 out of 10

Jj are a relatively new band, "Nº 3" is their third album (second full length) and it came out only a year after the first LP. Some of the things I worry about when bands release albums so close together are; Will there be a lack of "quality sound structures"? Will it just be left over tracks? Will it not be as "original"? With "Nº 3" I am reminded of why I like this band so much, their version of Balearic Dub mixed with Nu-Age electronics make me feel so comfortable and at peace with everything around me, their strong productions are something to be admired, and with this album there are even a few songs that seem to go in new-ish directions. I don't feel as if any of these tracks are fillers or left-overs, the quality is still there, and the originality is just as strong as it was before. Lot's of equatorial rewards await you once you finally get your headphones around it, and if you're taste is anything like mine you will be playing it back to back to back to back to back to etc.

The first track on "Nº 3" is a slower piano ballad which seems a bit out of place with first listen, but after you hear it enough you can't imagine a better opener. After the opener the "Jj-isms" begin; light-hearted/beautiful female vocals tuck you in and hug you with the warmth of an atomic heat wave while keyboards create beautiful string sounds, whimsical synth melodies, and a few other tropical atmospheres. Each song on this album nearly sounds different from the other, cohesive but the mood goes from sad, to beachy, to serious, to silly. This is exactly how I would want Jj to "evolve" from their last album, not much different, but still unique and relaxed. If you live in a cold environment like I do this is the heat wave you have been waiting for, someone please pass the sunscreen?

Fans of Jj, this is a no-brainer, buy the album now. If you haven't heard Jj, please do your ears a favor and give them the stoic sabbatical they deserve. RECOMMENDED.

Standout Tracks: All. If I had to be picky; Let Go, Light, Voi Parlate Lo Gioco, You Know

Tuesday, June 23, 2009

Check into Fool's Gold..

LOS ANGELES COLLECTIVE, FOOL'S GOLD, SET TO RELEASE SELF-TITLED DEBUT ALBUM ON SEPTEMBER 29TH ON IAMSOUND

Listen to/download Fool's Gold's "Surprise Hotel" HERE.

Their sound, rustic tropical rhythms that have been grown, harvested, dried, ground, and mixed with Luke Top's vocals, fried every molecule in the room." -- Los Angeles Times Magazine

“…who else is weaving cantorial yearning through the tuneful electricity of Afro-Islamic jangle and the tribal antics of Adam & the Ants?” -- L.A. Weekly

Fool’s Gold is a Los Angeles collective that weaves together western pop aesthetics with African rhythms and melodies. The group started as a side project of two young LA musicians, vocalist/bassist Luke Top and lead guitarist Lewis Pesacov, who set out to explore their shared love of various forms of African music (specifically Congolese, Ethiopian, Eritrean and Malian), Krautrock, and 80s dance influenced pop music. Lewis, although raised on reggae and world music, holds a degree in classical music theory and composition. He studied underneath American avant-garde expatriate composers Mark Randall-Osborn and Frank Cox in Berlin and has had pieces performed in halls throughout Europe. Luke, who was born in Israel (his mother is from Iraq/father from Russia) and was moved to Los Angeles at the age of three, instinctively alternates verses between Hebrew and English, thus personalizing the songs and allowing a unique interplay between his deceptively simple soul melodies and a propulsive rhythmic backdrop. At first listen, it might be tempting to label Fool’s Gold as “world music,” but the band is, in its essence, a Los Angeles band; it is music made for hot nights in a sweltering desert. The multi-cultural group of players was born from a city that is a melting pot of neighborhoods and cultures.

Not too long after their communal beginnings of writing a few inspired songs and asking friends, friends of friends and even strangers to join them on stage, Fool’s Gold developed organically into a full-time band. Although some of them met for the first time on stage, they soon became an air-tight collective. The cast of characters includes Garrett Ray (of Foreign Born) on drums, Jimmy Vincent and Matt Popieluch (of Foreign Born) on guitar, Amir Kenan (childhood friend of Luke's from Israel) sings backup vocals and plays keys, Brad Caulkins and Mark Noseworthy on saxophones/flute, and on percussion: Orpheo McCord (who studied percussion in Ghana as well as moonlighted as drummer for The Fall), Brazilian/Mexican visual artist Salvador Placencia, Argentinean pop star Erica Garcia, Michael Tapper (ex-drummer of We Are Scientists), all of whom play a beautiful array of hand-made instruments including: Ewe, Gungon and Djembe skinned drums; Gankogui, Bananna bells and claves; Kashishi, nut-rattles, goat-toe rattles, Chekeres, Axatse shell gourds and an over-sized tambourine Mizhar bought on the street in Cairo, Egypt.

The songs for the forthcoming self-titled album were mostly recorded live over a two-day session at the Sunset Lodge recording studio in Los Angeles in 2008, to be later completed in closets and apartment living rooms in 2009. Lewis and Luke collaborated on the music, written over a three-year span. Luke would then weave in the Hebrew/English lyrics. The Hebrew initially tied him to a birthplace that he barely knew, but evolved to be the perfect vehicle to express the overarching themes of duality that are the heart of the songs. Leaving a land with a rich and tumultuous history for one that is constantly forgetting and reinventing laid a personal foundation for Luke’s lyrics, which often explore the tension between ones personal identity and the outside world. The songs resonate beyond just the immigrant experience to one that is understood by anyone who has struggled with dispelling illusions of the ego and the world. Although the melodies are jubilant, the irreverent and whimsical lyrics belie the tension of one exploring the existential and physical self.

Fool’s Gold has shared bills with artists as diverse as Cat Power, Fujiya & Miyagi and the Senegalese kora master Youssoupha Sidibe. They headlined the Natural History Museum of Los Angeles and the Getty Center. They were recently profiled on the French music television program “Tracks” as well as featured in the Los Angeles Times Magazine. On September 29th they will release their debut record on IAMSOUND Records.

Fool's Gold Tracklisting:

1. Surprise Hotel
2. Nadine
3. Ha Dvash
4. The World Is All There Is
5. Poseidon
6. Yam Lo Moshech
7. Night Dancing
8. Momentary Shelter

C'mon, its free.. AND catchy.