EIC's 10Q's w/ Denseland

"..precise/well plotted Industrial clamor.." 

Denseland

Mending The Vexing Ruckus

Denseland Bio:

There is a certain type of music that echoes the feeling of a dark promise. It triggers anxiety, and it is precisely this effect that makes it appealing. Such music represents a living contradiction, a threatening attraction, a sounding abyss. And it is fascinating like a Cronenberg film. Denseland’s music oscillates precisely within this suspense.

Hanno Leichtmann, Hannes Strobl and David Moss had already released an album titled "Chunk". Now they bring us “Like likes Like” with the Berliner label m=minimal and seek to combine everything that belongs together. Rhythmical textures, rudimentary melodies and a clear renunciation of harmonies develop into a lesson on the subject minimalism. It is this sort of rhythmical music that instantly develops into a sense of suction that couldn’t be thriftier. The songs produce a deep and chilly effect. And beyond the rhythmical structures appears David Moss’ magical Sprechgesang. His voice seems to whisper directly in one’s ear. It creaks, it grumbles. It is often nothing more than a murmur that bit by bit assembles a vocal. It then expands and shapes into a sort of singing as ghostly voices breathe in the air. It is precisely this vocal that widely contributes to a feeling of discomfort in the works of Like likes Like.

Almost all repetitive music operates on the principle of hypnosis through repetition. Sometimes a song needs a few minutes to unfold its hypnotic effect. On the contrary, Denseland needs only a few seconds. The centrifugal force in its downbeat repetitions becomes practically unavoidable.

Denseland’s members depict mastery in opening new frontiers. They manage to employ minimal resources with maximum efficiency. Descriptors such as slow motion funk or minimal spoken word noise techno do not live up to the trio’s dark and energetic tracks. The band was formed in 2008. A year later, it released its first record “chunk” with the label MOSZ Rec. Vienna. During the same year, the trio pursued the project “speaking in tongues” with Chris Kondek and Christiane Kühl. This was followed by several performances at festivals like Ruhrtrienale, Avantart, Made, Sonar and Taktlos, among others.

Hello, how are you?

Well, fine.

What are you currently listening to?

Nino Rota's 'Satyricon', Frank Zappa's 'We're only In It For The Money', Fausto Romitelli's 'Professor Bad Trip'.

What's with the band name?

It´s a symbiosis between "dense" and "land".

Did you have a clear concept of sound when you began writing for this project?

Yes.

Care to shed some light on your latest LP; theme, favorite track(s), etc?

There is no latest "LP". It's a CD.

Will you be touring the US for said album?

No.

Got any other projects we should know about?

Groupshow, The Vulva String Quartett, P.O.P., Tamtam, Institute For Living Voice (more info here(s): www.media-loca.com/denseland, www.media-loca.com/hannoleichtmannm, www.media-loca.com/vulvastringquartett, www.media-loca.com/groupshow)

What movie would work best on mute while listening to you music?

Nightmare On Elm Street Part 8

You can only keep/listen to ONE album for the rest of your life ..which album would it be?

Antonio Carlos Jobim's 'Jobim', Merzbow's '1930', & Sly Stone's 'Fresh'

Are you living your dream?

No, we like our nightmares.

Thanx Denseland and Mo!

Denseland recently release their second album, you should probably check that out...

EIC'S10Q'S w/ Br'er

"..a beast that is driven mostly by beauty.."

Br'er
Clamorous Histrionic Apparatus

Br'er Bio:
Br’er initially began as the solo recording project of Philadelphia native Benjamin Schurr as a means of completing several unfinished songs he began for another project. From these meager beginnings Br’er quickly became its own entity, growing into an ever shifting lineup of musicians (including Christian Mirande, Darian Scatton, Roger Alejandro Martinez, Gabrielle Smith, Shaina Kapeluck, Jordin Goff and Hyden Weiner-Grossman) culled from across the Philadelphia area to help bring Schurr’s dense experimental pop compositions to life. After several manic recording sessions with borrowed equipment, broken keyboards and a shifting scene of partners and cohorts, Br’er’s first album “Of Shemales and Kissaboos” was born, and finally emerging as a functional live outfit in July of 2007. Since its initial inception, Br’er has been an ever evolving project, changing shape and sound as both a live band and as a recording project.

Hello, how are you?
Great! Currently in the midst of a month long tour.

What are you currently listening to?
Some Shostakovich cello pieces, Cocetau Twins' 'Victorialand', Debussy's 'Sonata For Harp, Flute, & Viola', early Swans, and 'Wu-Tang Forever'.

Whats the story with the band name?
It actually came from two places. First was the fact that my dad read me the Uncle Remus Br'er Rabbit stories when I was younger and the second was from a comic called the Maxx. What I really liked about the Uncle Remus stories was that Br'er Rabbit utilized his wits and trickery to get himself out of life or death situations, which paralleled my life in many ways when I started the band!

Whom are your biggest influences when it comes to sculpting your sounds?
There's a lot of different sources. When I started the band I had this idea of it being split between super harsh noise/early industrial stuff like Merzbow, Einstruzende Neubauten, and Swans and really colorful, lush 60's pop type stuff. As time went on I found that most of our ideas just came from a combination of exploring different instruments, trying to create sounds that were unique and unknown to us, and city sounds.

Is there a theme on your latest full length?
'City Of Ice's' main themes are displacement, gender, abuse, confusion, love, catharsis and Septa. Shaina (our violinist) described the album to me once as "a breakup album for you home town" which seems to sum it up nicely. So it has a lot to do with the myriad of conflicting emotions that come with living in Philadelphia (or any large city for that matter).

Do you have a favorite track from said album?
"Oestrus". I can't believe how well that summed up the sensation I was trying to express. Whenever I hear it I still have no idea how that came from me.

Got any side projects/collabs coming up?
After we're done with this tour I'm going to start working on the new Eskimeaux record and I'm in the process of finishing an Ep with A Stick and A Stone. Somewhere down the line I'll be starting a project called "Our Lady Of The Flowers." I'm always working on two or three projects at a time.

What the most embarrassing record you own?
I would like to go on record saying that I AM NOT EMBARRASSED TO LOVE THIS RECORD but it's the only thing I can think of that may fall into that terrain because Ross Lipton doesn't like it. Everclear "So Much For The Afterglow". I think it's just a really great pop record that affected me strongly when I was really young and still has that power.

You can only keep/listen to ONE album for the rest of your life ..which album would it be?
Shucks, that's a hard one... Swans 'Greed/Holy Money'.

Are you living your dream?
Depends on the dream.

Thanx Ben!

Br'er is currently wrapping up his US tour, after that more recording I'm sure, as this artist is quite prolific...