Showing posts with label dinosaur jr. Show all posts
Showing posts with label dinosaur jr. Show all posts

Monday, June 7, 2010

EIC'S10Q'S w/Monster Movie

"..I read a review online somewhere that referred to this album as a mix between My Bloody Valentine and Grandaddy, I couldn't agree more.. Mellow guitars (both rock and reverberated), gallant synths (both air-y and pulsating/dancey), uncomplicated drums (both electronic and standard), and pleasing vocals make this album a nice addition to anybody in need of a "new" pop sound.."


Monster Movie
Amicable Reverie Pop

Monster Movie Bio:
Christian Savill and Sean Hewson, a London-based indie rock duo, have been playing together under various names since 1989, including a brief stint as the Eternal, a band that released one single on the Sarah label. Savill, who was also in Slowdive, decided to start playing again with Hewson in 2000 as Monster Movie, most likely naming themselves after the Can album of the same name. Since debuting in 2001 with a five-track EP on Clairecords, they've released a handful of EPs and albums, including Last Night Something Happened (2001), a split EP with Dreamend (2002), Transistor (2004), To the Moon (2004), All Lost (2006), and Everyone Is A Ghost (2010). Their recordings have drifted between neo-shoegaze, straight-up indie pop, and synth-driven material inspired by the Factory label's dance-oriented sect (Section 25, New Order).


Hello, how are you?
Sean: Tense, as always.
Christian: Covered in paint.

What are you currently listening to?
Sean: Sonic Youth, Dinosaur Jr., Built To Spill, Crocodiles, Wavves, Sebadoh, Pavement. At the moment, if it’s from the US and has messed-up guitars on it, I’ll listen to it.
Christian: I like 'Teen Dream' by Beach House, but aside from that I enjoyed the 'Homecoming' tune by The Teenagers, lots of Kraftwerk and I'm revisiting dear old Syd Barrett again, Sparks 'Number one song in heaven', Gorillaz 'Rhinestone eyes', 'Take it in' By Hot Chip, Dreamend 'Pink cloud in the woods' is an amazing song, and tragically no one will recognise this. Maybe I'm biased, but Ryan Graveface is amazing.

Your latest album “Everyone Is A Ghost” is pretty good, did you find the recording process for that to go pretty smoothly or..?
Sean: There’s no room for hyperbole here, right? Recording always goes smoothly for us because we enjoy it. Things can get a bit tense when we do the vocals because we’re not really vocalists but, as we’ve got older, we’ve become a bit less emotional about it.
Christian: Despite living about 3000 miles apart the album progressed quite nicely. I guess the only issue was that I had to fly to England in February and we didn't give ourselves enough time. It actually worked out better because when I came back in September we had some great contributions from Ryan and Rachel and a couple of new songs.

What exactly do you mean by “Everyone Is A Ghost”?
Sean: We didn’t discuss it but I think we were after something that was quite desolate. We also feel separate from the people we see in the streets. Not better - probably worse; but kind of uninvolved in what is important to them. The title was kind of a steal from the film/comic Ghost World. Just as it’s partner song, How The Dead Live, was nicked from a Derek Raymond book. I can’t remember the lyrics but the song (Everyone Is A Ghost) is about a loved one dying. We’re a good-time band.
Christian: I moved from England to US as we started the album. I felt really weird and disconnected all of a sudden. I really didn't expect it, but it had a big impact on me. I felt no association with anyone.

Visually how do you think the cover of the album explains the themes within?
Sean: We asked Will Schaff to do something desolate. I think Christian may have sent him a few examples. He came back with the front cover. I like that there is also some warmth in the picture. We sometimes forget to inject warmth.
Christian: I was after a bleak landscape. It's a recurring theme for us. We had something similar on our first album 'Last night something happened' with a desolate road. Like loads of people we spend so much of our lives driving places like zombies, going through the motions. This time I was after something more abstract. I found some Yugoslavian animation from the seventies and Will Schaff looked at a couple of stills and made his own interpretations.

Out of all the songs you guys have written together which one are you most proud of?
Sean: I’m pretty pleased with everything on our last two albums. Some songs could have been better if we’d had more time but that’s unimportant now. From our first album I’m proud of Shortwave (Christian will correct me if I’ve got the wrong song) which was a great song that Christian had and I added a little piano to it and it came out really well and made me think that we might actually be able to be good at something. I also really like Driving Through The Red Lights which has a brilliant and unexpected chorus and Bored Beyond Oblivion, great title, great song.
Christian: Not sure really. I'd love to make an album which I wouldn't mind hearing in the presence of other people. I've no idea how bands endure record launch parties. The idea of having to listen to my music with other people fills me with total dread. That's not to say we haven't done songs I like.

If you could tour with anyone (dead of alive) whom would it be with?
Sean: We’d probably need someone who had some kind of experience in psychiatric care to help us get on stage. It’s just not something we feel comfortable doing. Maybe a day festival where we can come on at the beginning before any turns up and then we can hang around backstage posing for the rest of the day. I always get incredibly bored when people start doing dream lists of festival line-ups and it’s all dead people like Lennon and Hendrix. People I would actively walk away from if I saw them. It’s like they’re making a dream band in heaven (let’s ignore the fact that Sonic Youth did this on Tunic). I think that kind of simplistic view of a heaven is damaging for young people. You die and you’re gone, they need to realise that. Having said that: I would have loved to see Rowland S Howard, preferably when he wasn’t so sick that he was coughing up blood on stage.
Christian: The Monkees. They looked like they were having fun?

I gotta ask, will Slowdive ever see the light of day again?
Christian: Not in the foreseeable future. Rachel is having a baby this summer. We've all got kids and stuff. Maybe our kids could form Slowdive Jr.

You can only keep/listen to ONE album for the rest of your life..which album would it be?
Sean: I like a good combination of noise and melody so probably The Velvet Underground & Nico or Psychocandy.
Christian: Maybe 'Low' by David Bowie.

Are you living your dream?
Sean: I like having a wife. I like being in a band. I like playing football. Everything else is a humiliating kick in the crotch, to quote Sting.
Christian: No. But it's not a total nightmare.


Thanx MM & Jacob!

Monster Movie are currently working on a follow up to "Everyone Is A Ghost"...

Monday, March 15, 2010

EIC'S10Q'S w/Dorias Baracca

"..equal parts Slowdive, Ride, Interpol, Mogwai, and any other project that derives it's sound from soaring guitar transmissions with layers (upon layers) of sustained metagalactic noise. The only difference between this group and previous mentioned groups is that those bands had years to develop their sound. I firmly believe that most people aren't born with the kind of ears it takes to develop these kind of "Rock" sounds. The unimaginable amounts of layers/filler noise/walls of sounds within this band's debut EP are more than enough to make any veteran rocker jealous. Which is, precisely why it's so important to keep mentioning these guys are only teenagers.."


Dorias Baracca
Blossoming Cosmonauts

Dorias Baracca Bio:
Hailing from Odense in Denmark, Dorias Baracca are almost too young to be making the intense, yet beautiful shoegazing music that they do.

Growing up on a diet of Slowdive, Chapterhouse, Cocteau Twins and Ride have given them a musical maturity that belies their 17 years. The EP manages to encompass the swathing walls of noise that Slowdive created with their early EPs, as well as the driving guitar wizardry of Ride and Swervedriver.

Following their debut London shows back in October, the Hands At Melting Point EP is their debut release, produced by Jonas Munk (Manual). On stage they are a blisteringly loud maelstrom of swirling feedback and melodic chaos that rivals other self-confessed noise masters like A Place To Bury Strangers.



Hello, how are you?
We’re fine, how about you?

What are you currently listening to?

Buster: Stars of the Lid
Aske: Slowdive
Jeppe: Cat Power
Simon: Ride

How long has your band been together?
Since Spring 2007 and Jeppe joined Spring 2009

Was there a particular band/album that inspired you to create the music
that you currently write?

"Loveless", "Isn’t Anything", "You Made Me Realise", "Souvlaki", a lot of fuckin’ Sonic Youth, some M83 and some Leonard Cohen and Mogwai and Loop and Lush and Low and Adorable and Dinosaur Jr. and Echo and the Bunnymen and Earth..

How did Club AC30 find you?
One of our good friends’ big brother is Jonas Munk (better known as Manual) and he mixed our EP and he later on sent it out to some different labels, where AC30 were one of them and he recommended us to go with Club AC30

Is there a title/tentative release date for your debut full length album?
Well we haven’t really talked about it, but we are soon ready to go to the studio once again, for a full length album

Any international tour dates in the works?
We’re trying to work out a tour through Hamburg, Berlin, France and the UK

If you could do the score to any existing movie out there which would you
chose?

Buster: Lost in Translation
Aske: Dead Man
Jeppe: The Crow
Simon: Pi

You can only keep/listen to ONE album for the rest of your life… which
album would it be?

Buster: "Henry's Dream"
Aske: "Just For A Day"
Jeppe: "Raw Power"
Simon: "Loveless"

Are you living your dream?
We are living the daydream nation

Thanx Robin!

Dorias Baracca are currently touring here and there in Europe, pray that they will one day visit the US...