Showing posts with label nico muhly. Show all posts
Showing posts with label nico muhly. Show all posts

Monday, October 10, 2011

EIC'S10Q'S w/My Brightest Diamond

"..an unequivalent ear for "Heavenly meets Experimental" aural nirvana.."


My Brightest Diamond
A Pastoral Murmur

My Brightest Diamond Bio:
As impressive as her list of recent collaborators, Shara Worden’s voice and arresting live performances have left audiences thunderstruck from the Sydney Opera house to Lincoln Center to the House of Blues. She’s performed under the experimental-pop moniker My Brightest Diamond for the last seven years, and counts Bryce Dressner (The National), The Decemberists, Bon Iver, David Byrne and Laurie Anderson among friends and fans. They are just a few of the many who’ve fallen in love with Worden’s mystical voice and mythic storytelling.

Growing up outside of Detroit in a family of musical evangelists, Worden studied multiple instruments (her father is an acclaimed accordionist and mother an organist). She became equally passionate about classical and Motown, later pursuing a degree in Opera at the University of North Texas where she wrote and recorded original material for the first time. After moving to New York by way of Moscow, Worden recorded three albums before joining the ranks of Sufjan Stevens' Illinoisemakers. She then expanded her musical education further by studying composition under Padma Newsome (Clogs, The National), and turned out several scores for off-Broadway productions.

Worden’s artistry seems to transcend music itself. On stage she evokes as much Martha Graham as Edith Piaf, and can be found collaborating with visual artists (Matthew Ritchie) and filmmakers (Matthew Barney, Murat Eyuboglu) alike. Where worlds are colliding, there is a Shara; a zeitgeist for a growing movement of experimental musicians eager to bend the borders of artistry and genre.

Having recently moved to urban Detroit, planted a garden and given birth to a son, Worden’s latest offering, All Things Will Unwind draws inspiration from the motor city itself. More folk inspired than much of her recent work the new album addresses the painful juxtaposition of life and death, class and race, art and politics—as heard through the mesmerizing lullaby of a new mother.


Hello, how are you?
Pretty good. I’m in Berlin for the week. I just had some good Indian food. I practiced piano for an hour. I tickled my kid before he fell asleep. Life is good.

What are you currently listening to?
Tim Fite, Diane Cluck, Queen, Sade. I saw Sade in concert a couple weeks ago and it was incredible.

Where does the name "My Brightest Diamond" originate from?

I wrote a song called “The Diamond” in which I describe someone who is so precious to you, like a diamond hidden in your pocket . The song represented a turning point in my life.

Care to tell us a little bit about your latest album?
This third MBD album is mostly an acoustic album that I wrote for the chamber ensemble yMusic. They are a sextet: string trio, flute, clarinet and trumpet. I wrote most of the songs for a concert we did last January for the “American Songbook” series, so I was thinking a lot about classic song forms. My goals were to play rhythm instruments as little as possible, but if I did play an instrument, they had to be small enough to fit into one suitcase. The pump organ folds up into a suitcase, so I figured that one didn’t count.

I loved the recent remix album you put out last year, was there any process behind/how did you choose the producers/remixes for that project?
I’ve always been really interested in collaborating with electronic artists, but the Shark’s Teeth remixers were all my friends: DM Stith, Son Lux, Alfred Brown & Roberto Lange. Their approaches were all very different and that was something I was looking for also.

Do you have any upcoming side projects we should know about?
I will be doing more with the Dessner’s and artist Matthew Ritchie in the coming months. Also composer David Lang is writing a piece for Nico Muhly, Owen Pallett, Bryce Dessner and me which will be sung at Carnegie Hall in January. More Clogs, more Penelope, more Colin Stetson for me, too.

Got any weird hidden talents?
I have all of the A-ha catalog memorized. Is that weird?

If you could collaborate/perform a duet with any artist of your choosing whom would it be with?
Morten Harket. A-ha.

You can only keep/listen to ONE album for the rest of your life ..which album would it be?
Today I’ll choose Tom Waits’ 'Alice'.

Are you living your dream?

Every day. A dream does not always look like what you thought it would look like.

Thanx Judy & Danielle & Shara!

MBD is about to embark on a European tour, be sure to check a show out if you're in that area...

Wednesday, November 24, 2010

WantNeed some exclusive Ben Frost songs? (yes, you do.)

Order from the Bedroom Community web store and receive the "Yule" compilation for FREE!

Tracklisting:
1. The Amidons - It's Good To Be Kind (Mangled By Nico Muhly)
2. Nico Muhly - The Only Tune (Son Lux Remix)
3. Ben Frost - The Gravity Of Numbers
4. Valgeir Sigurðsson - Focal Point (Kippi Kanínus Remix)
5. Sam Amidon - Kedron (Acoustic)
6. Puzzle Muteson - Parachute
7. Daníel Bjarnason - Night Music
8. Valgeir Sigurðsson - Vetur
9. Nico Muhly - Wonders (MaJiKer Remix)
10. Valgeir Sigurðsson - Dark Christmas
11. Daníel Bjarnason - Stars
12. Ben Frost - There Are No Others, There Is Only Us
13. Nico Muhly - Bells For Zach
14. Valgeir Sigurðsson - Air

Too bad I already own everything offered. ..I guess I'll just have to buy another copy of "Theory Of Machines" (..I was going to anyways..)

Everyone needs this:

Tuesday, September 7, 2010

Did you know Nico Muhly's new album is out?

&<span class="blsp-spelling-error" id="SPELLING_ERROR_0">lt</span>;a <span class="blsp-spelling-error" id="SPELLING_ERROR_1">href</span>="http://nicomuhly.bandcamp.com/album/i-drink-the-air-before-me">Fire Down Below by Nico <span class="blsp-spelling-error" id="SPELLING_ERROR_2">Muhly</span>&<span class="blsp-spelling-error" id="SPELLING_ERROR_3">lt</span>;/a>
Less experimental than "Mothertongue" (my fav of his), but stronger compositions than "Speaks Volumes". Philip Glass fans you know what to do..

Friday, April 2, 2010

REVIEW: Jónsi - Go

8.25 out of 10

Sigur Rós frontman Jón “Jónsi” Þór Birgisson was once quoted as wanting to make a record full of music that didn't quite fit the specific style of the music he's most known for making. It wasn't until the writing process for Sigur Rós' 6th studio album "Með Suð í Eyrum Við Spilum Endalaust" began. It was then that his audial visions started to come into focus. Last January, the band had announced that the were taking a year long hiatus for several reasons, one of them being several members recently having children. This opening in Sigur Rós' schedule gave Jónsi time to bring his ideas to fruition. Enter; "Go".

This solo effort by the falsetto intoner more than picks up where he and his band mates left off, only in a sightlier "more whimsical direction" boasting an almost childlike feel. On the more up-tempo tracks like "Go Do", "Animal Arithmetic" and "Boy Lilikoi", the driving drums astronomically aligned with sweeping woodwinds and flirty strings paint a portrait of a innocence and young love. On the opposite side of the audio sensory spectrum, songs like "Tornado", "Kolniður" and "Hengilás" are instilled with the familiar Icelandic Shoegaze formula that we're used to hearing (minus the quiet epic lengthiness of Sigur Rós). However these tracks could still easily be mistaken for b-sides from "Takk..." or "( )", but the adolescence-inspired shtick still applies. Also contributing in this opus is composer Nico Muhly, Fat Cat Records producer Peter Katis (Mercury Rev, The National, Fanfarlo, The Swell Season) and Parachutes founding member as well as Jónsi's live-in boyfriend, Alex Somers (1/2 Riceboy Sleeps).

"Go" can best be described as "Með Suð í Eyrum Við Spilum Endalaust" Part 2. Which might be bad news for those of you who aren't huge fans of Sigur Rós' more recent "Pop" feel. But don't fret. Although "Go" is saturated with naive playfulness, Jónsi clearly and beautifully crafts a wise and mature approach to what I consider to be the quintessential soundtrack of youth in general.

Standout Tracks: Go Do, Kolniður, Grow Till Tall

Wednesday, March 31, 2010

REVIEW: Valgeir Sigurðsson - Draumalandið

7.5 out of 10

Valgeir Sigurðsson is one of the staple acts on Bedroom Community, Ben Frost's label. The music he creates is Classical music meshed with crunchy electronic samples (much like Ben Frost's music, only a little more organic/Classical). He's worked with Bjork, Mum, Kronos Quartet, Bonnie 'Prince' Billy, and Nico Muhly to name a few. And for his latest release (2nd full length) he was asked to score an Icelandic film titled "Draumalandið", which is a documentary about the exploitation of Iceland's natural resources. Yes, his resume is indeed quite impressive, but he is only just beginning.

The overall mood for the film seems to be dreary, and somewhat "dream like" as the title suggests however "Draumalandið" is more than just a score, it is warning to future/parallel societies. For the film's score Valgeir Sigurðsson has chosen the path of abase, dark, and ominous sounds accompanied by strings, horns, piano, minimal electronics, and a few drum pieces that sort of bring to mind Steve Reich. The whole composition is very forward moving, with a "slowly melting" feel to it. Is it contradictory to be fast and slow at the same time? Maybe. But I think that is the point Mr. Sigurðsson is trying to make with this piece.. All of our forward/fast thinking decisions are slowly corrupting and decaying environments around us. We never take a moment to look at our surroundings because we are so focused on our monetary goals. And it's because of these decisions that are world may be doomed. Classical music can be a hard thing to review/explain. There are so many sounds/moods/ambiances within that will give each listener their own personal experience. I do feel with this piece the message seems pretty obvious and it's something we should all take a moment to sit back and think about. I love the music, I love the message, and I love that Valgeir Sigurðsson was chosen to create such a dramatic "environment" as only he could. If you're at all a fan of the genre consider this a must.

If you're a sucker for serene/quiet string pieces that swell and buckle over and under forward thinking electronic atmospheres you're in for a treat. Recommended.

Standout Tracks: Dreamland, Laxness, Hot Ground Cold, Draumaland (love the piano on this track -- kind of reminds me of Philip Glass), Nowhere Land, Helter Smelter

Wednesday, March 24, 2010

REVIEW: Clogs - The Creatures In The Garden Of Lady Walton

8.25 out of 10

Clogs are a sort of super group featuring members of The National, Sufjan Stevens, My Brightest Diamond, and a few others. "The Creatures In The Garden Of Lady Walton" is the group's fifth full length album, as well as their first where there is more of a focus on vocals. The First time I listened to Clogs was when I heard of a concept album they did for a "silent" film titled "Lantern", to say it took my breathe away would be an understatement (seriously listen to this). Needless to say I was very excited to hear about the next album of theirs, how could they possibly develop their sound even more than what they did with "Lantern"? They did, and then some. Within the floral tropospheres of "The Creatures In The Garden.." Clogs have not only expanded their sound ten-fold, but they have also pushed the envelope for Folk music in general.

Right off the bat when the music begins playing you will be reminded of Nico Muhly's latest magnum opus "Mother Tongue". Sampled vocals are looped and layered over other melodic vocals creating a "sort of" abstract heavenly encounter. After that the band goes to an instrumental track that is both precious and heavy-hearted. Nearly every track after that contains vocals that remind me of either Vashti Bunyan or Simon (maybe Garfunkel), seriously gorgeous harmonizing awaits you.. Speaking of "betwixt my heart" folk music, Vashti released one of the last truly great folk records of the new era, right after that release (maybe before??) would be this album. The songs are Classically structured, but they also have a contemporary edge which is unmatched by nearly all other Folk musicians out there today. The music was composed during a residency at Giardini La Mortella, which is a botanical paradise created by Lady Walton (the widow of the late British composer Sir William Walton) on the island of Ischia, which is near Italy. As for the sounds you will hear; strings (a full quartet's worth) are present on every track, precisely plucked guitars that sound both dainty and resolute, lingering horns, mischievous xylophones, and any/all other whimsical sounds you can come to expect from a truly masterful Folk record. I'm really smitten with this music, it makes me feel warm and it puts me in the mood to be closest with the one I love most (you know who you are;p). Music/art like this is rare, it's way better than you anticipated, and it leaves you wanting more.

This is one of the best Folk albums Ive ever heard. On top of that, it is one of the best releases 2010 will see. Get this now if Folk or organic music is your thing, I'm glad that Spring/Summer is upon us "The Creatures In The Garden Of Lady Walton" will likely make for a great soundtrack to the lazy afternoon hangouts on the porch with your closest friends/loved ones. Highly Recommended.

Standout Tracks: S-O-L-I-D from beginning to end. Cocodrillo, On The Edge, The Owl Of Love (nice track), Last Song, To Hugo (kind of reminds me of Coil), Raise The Flag (the strings remind me of Nick Cave and Warren Ellis' recent soundtrack works), We Were Here

Sunday, March 7, 2010

Nico Muhly is working on an opera..

Two Boys "an internet opera"...

From NM:
The chatroom is the masked ball of the 21st century. There, the princess can be the peasant bar-wench, and the 60-year old man can be the 15 year-old girl he should have been 45 years ago.

Read more HERE.