Showing posts with label my brightest diamond. Show all posts
Showing posts with label my brightest diamond. Show all posts

Monday, October 10, 2011

EIC'S10Q'S w/My Brightest Diamond

"..an unequivalent ear for "Heavenly meets Experimental" aural nirvana.."


My Brightest Diamond
A Pastoral Murmur

My Brightest Diamond Bio:
As impressive as her list of recent collaborators, Shara Worden’s voice and arresting live performances have left audiences thunderstruck from the Sydney Opera house to Lincoln Center to the House of Blues. She’s performed under the experimental-pop moniker My Brightest Diamond for the last seven years, and counts Bryce Dressner (The National), The Decemberists, Bon Iver, David Byrne and Laurie Anderson among friends and fans. They are just a few of the many who’ve fallen in love with Worden’s mystical voice and mythic storytelling.

Growing up outside of Detroit in a family of musical evangelists, Worden studied multiple instruments (her father is an acclaimed accordionist and mother an organist). She became equally passionate about classical and Motown, later pursuing a degree in Opera at the University of North Texas where she wrote and recorded original material for the first time. After moving to New York by way of Moscow, Worden recorded three albums before joining the ranks of Sufjan Stevens' Illinoisemakers. She then expanded her musical education further by studying composition under Padma Newsome (Clogs, The National), and turned out several scores for off-Broadway productions.

Worden’s artistry seems to transcend music itself. On stage she evokes as much Martha Graham as Edith Piaf, and can be found collaborating with visual artists (Matthew Ritchie) and filmmakers (Matthew Barney, Murat Eyuboglu) alike. Where worlds are colliding, there is a Shara; a zeitgeist for a growing movement of experimental musicians eager to bend the borders of artistry and genre.

Having recently moved to urban Detroit, planted a garden and given birth to a son, Worden’s latest offering, All Things Will Unwind draws inspiration from the motor city itself. More folk inspired than much of her recent work the new album addresses the painful juxtaposition of life and death, class and race, art and politics—as heard through the mesmerizing lullaby of a new mother.


Hello, how are you?
Pretty good. I’m in Berlin for the week. I just had some good Indian food. I practiced piano for an hour. I tickled my kid before he fell asleep. Life is good.

What are you currently listening to?
Tim Fite, Diane Cluck, Queen, Sade. I saw Sade in concert a couple weeks ago and it was incredible.

Where does the name "My Brightest Diamond" originate from?

I wrote a song called “The Diamond” in which I describe someone who is so precious to you, like a diamond hidden in your pocket . The song represented a turning point in my life.

Care to tell us a little bit about your latest album?
This third MBD album is mostly an acoustic album that I wrote for the chamber ensemble yMusic. They are a sextet: string trio, flute, clarinet and trumpet. I wrote most of the songs for a concert we did last January for the “American Songbook” series, so I was thinking a lot about classic song forms. My goals were to play rhythm instruments as little as possible, but if I did play an instrument, they had to be small enough to fit into one suitcase. The pump organ folds up into a suitcase, so I figured that one didn’t count.

I loved the recent remix album you put out last year, was there any process behind/how did you choose the producers/remixes for that project?
I’ve always been really interested in collaborating with electronic artists, but the Shark’s Teeth remixers were all my friends: DM Stith, Son Lux, Alfred Brown & Roberto Lange. Their approaches were all very different and that was something I was looking for also.

Do you have any upcoming side projects we should know about?
I will be doing more with the Dessner’s and artist Matthew Ritchie in the coming months. Also composer David Lang is writing a piece for Nico Muhly, Owen Pallett, Bryce Dessner and me which will be sung at Carnegie Hall in January. More Clogs, more Penelope, more Colin Stetson for me, too.

Got any weird hidden talents?
I have all of the A-ha catalog memorized. Is that weird?

If you could collaborate/perform a duet with any artist of your choosing whom would it be with?
Morten Harket. A-ha.

You can only keep/listen to ONE album for the rest of your life ..which album would it be?
Today I’ll choose Tom Waits’ 'Alice'.

Are you living your dream?

Every day. A dream does not always look like what you thought it would look like.

Thanx Judy & Danielle & Shara!

MBD is about to embark on a European tour, be sure to check a show out if you're in that area...

REVIEW: My Brightest Diamond - All Things Will Unwind

7.75 out of 10

I first became aware of Ms. Worden's voice/astonishing talent(s) from 2006's "Bring Me The Workhorse", I LOVEd it. Shara Worden (My Brightest Diamond) had in-fact released a couple albums before that though, under a different pseudo name (I'm just now becoming aware of this), she's a part of Clogs, and she's also a member of Sufjan Steven's live ensemble..(probably why she's on his label I suppose..). From the very first note that her voice hit that was sent through my (extremely) privileged ears I knew she was going to be something big ..she's almost there I swear (so close I can feel it). And now, with her latest album "All Things Will Unwind" I have never been more sure of something, her voice is perfection. Flawless. Something every ear should crave.

"All Things Will Unwind" is slightly different from her previous releases..only slightly though. By different I mean the strings seem to be pluckier, the mood seems to be lighter, and the general tone is all around a little more "playful". I'm sure a lot of Fiona Apple and/or Regina Spektor comparisons will be made (if they haven't already), but I think Sharon Worden is more classically trained. She has an unequivalent ear for "Heavenly meets Experimental" aural nirvana. I guess her sound could be best described as Classical Folk meets modern Neo-Electronic Bliss, I wouldn't say the sound is unique to her only, but I do feel that way whenever I listen to MBD. Every song seems to bend said genres in a new angle every time. All and All "All Things.." is AL-Lot of bang for your hard earned ALL-owance. (yep I said it:)

Love this woman's harmonious demeanor. Listen to everything she has to say, listen to me (please?) when I say; HIGHLY Recommended. Also.. "Dream collaboration Idea#1!: Sharon Worden meets Owen Pallett", am I right or what?

Standout Tracks: We Added It Up, Reaching Through To The Other Side, She Does Not Brave The War (yum), Everything Is In Line (hmm, the guest vocals sound familiar..), I Have Never Loved Someone (perfect ender)

Wednesday, March 24, 2010

REVIEW: Clogs - The Creatures In The Garden Of Lady Walton

8.25 out of 10

Clogs are a sort of super group featuring members of The National, Sufjan Stevens, My Brightest Diamond, and a few others. "The Creatures In The Garden Of Lady Walton" is the group's fifth full length album, as well as their first where there is more of a focus on vocals. The First time I listened to Clogs was when I heard of a concept album they did for a "silent" film titled "Lantern", to say it took my breathe away would be an understatement (seriously listen to this). Needless to say I was very excited to hear about the next album of theirs, how could they possibly develop their sound even more than what they did with "Lantern"? They did, and then some. Within the floral tropospheres of "The Creatures In The Garden.." Clogs have not only expanded their sound ten-fold, but they have also pushed the envelope for Folk music in general.

Right off the bat when the music begins playing you will be reminded of Nico Muhly's latest magnum opus "Mother Tongue". Sampled vocals are looped and layered over other melodic vocals creating a "sort of" abstract heavenly encounter. After that the band goes to an instrumental track that is both precious and heavy-hearted. Nearly every track after that contains vocals that remind me of either Vashti Bunyan or Simon (maybe Garfunkel), seriously gorgeous harmonizing awaits you.. Speaking of "betwixt my heart" folk music, Vashti released one of the last truly great folk records of the new era, right after that release (maybe before??) would be this album. The songs are Classically structured, but they also have a contemporary edge which is unmatched by nearly all other Folk musicians out there today. The music was composed during a residency at Giardini La Mortella, which is a botanical paradise created by Lady Walton (the widow of the late British composer Sir William Walton) on the island of Ischia, which is near Italy. As for the sounds you will hear; strings (a full quartet's worth) are present on every track, precisely plucked guitars that sound both dainty and resolute, lingering horns, mischievous xylophones, and any/all other whimsical sounds you can come to expect from a truly masterful Folk record. I'm really smitten with this music, it makes me feel warm and it puts me in the mood to be closest with the one I love most (you know who you are;p). Music/art like this is rare, it's way better than you anticipated, and it leaves you wanting more.

This is one of the best Folk albums Ive ever heard. On top of that, it is one of the best releases 2010 will see. Get this now if Folk or organic music is your thing, I'm glad that Spring/Summer is upon us "The Creatures In The Garden Of Lady Walton" will likely make for a great soundtrack to the lazy afternoon hangouts on the porch with your closest friends/loved ones. Highly Recommended.

Standout Tracks: S-O-L-I-D from beginning to end. Cocodrillo, On The Edge, The Owl Of Love (nice track), Last Song, To Hugo (kind of reminds me of Coil), Raise The Flag (the strings remind me of Nick Cave and Warren Ellis' recent soundtrack works), We Were Here