Showing posts with label mogwai. Show all posts
Showing posts with label mogwai. Show all posts

Saturday, January 21, 2012

REVIEW: Errors - Have Some Faith In Magic

7.5 out of 10
Find it here.

"Post-Electro". It's the label of the music Errors seems to so closely mirror, whether as a conscious effort of the band or not. But while many would fear subscription to the image of "Post-Electro", this Glasgow-based quartet in their seven years of existence have proven the depth of a genre too often underestimated. Every work of theirs is a fresh reminder that styles with the prefix "Post" these days don't always mean susceptibility to formula.

Errors's third album, 'Have Some Faith in Magic', is the product of none other than Rock Action Records. It seems logical for the Mogwai-ran label to foster a band like Errors, because in the ten tracks constructing their latest work, Errors finds themselves exploring as many styles as does their label. “Tusk” opens the album with a taste of blissed-out trance beats until a sonic flurry throws the listener into an epic world of heavy guitars and glistening synths. “Earthscore” pummels with tribal percussion and "Battles-esque" programmed vocals. “Blank Media” takes you back twenty-years with the dreamy guitar style of Pale Saints before mimicking the electronic melodrama and shine of M83. “Canon” parodies Errors's own curious brand of dance music as a slowed-down, minimal version of itself. However, nothing prepares the listener for “Holus Bolus.” It closes the album on the highest of notes: an anthem combining all of the band's spirits into one powerful and melodic ride.

Highly recommended. The newest full length from Errors proves that constant exploration still remains in their bloodstream. Don't let the stereotype of "Post-Electro" – or "Post-Rock" for that matter – hold you down. Stay loyal to the album's name, and "have faith in some magic" that a band's sonic pursuits can defy expectations and thrill the mind. Hear for yourself how Errors once again have proven themselves to be one of the most spellbinding acts in their field.

Standout Tracks: Magna Encarta, Earthscore, Barton Spring, Holus Bolus

Monday, November 21, 2011

REVIEW: The Answer Team - O Sad And Future Human

7.5 out of 10

Omaha Nebraska has been a hotbed of musical activity dating back as far as the 1920's. Jazz clubs and underground nightspots were once home to some of the most prominent staples in Jazz, Blues and Swing history. There has been a notable music scene to be found in Omaha at any point in time ever since. It wasn't until the early 1990's that Omaha began it's gradual reign as one of the biggest independent music scenes in the Midwest. The Answer Team is certainly helping to fuel this fire with their debut album, "O Sad And Future Human".

Formed in 2006, Thomas McCauley and Brandon Bone started jamming together in college, and thus began a foundation that would eventually evolve into The Answer Team. After a few years of "revolving door" band members and a brief stint with vocals, their niche was found with the help of now permanent fixtures, Jason Bejot and Dustin Treinen. This finely tuned niche I speak of can be summed up by just simply calling them an instrumental Post Rock band, but this would be an understatement, and quite frankly, an insult to the band itself. The album opener, "Where's The Sun" is a gorgeous yet deceptive tune, it begins with a bit of feedback and distorted chords sugarcoated with light, melodic anticipation; all the makings of a build-up that begs for an explosion of angst-ridden vocals and rapid guitar riffs. Fortunately, it takes a refreshing detour into a beautiful, arpeggio-rich frolic. It's almost like a lone flower growing out of a crack in the middle of a gritty city sidewalk. This sets the tone for the whole album. On "Does This Shirt Make Me Look Dead?", uplifting layers of violin and a defiant, thunderous rhythm make this track as powerful as it is heart wrenching. The occasional spoken word interlude and a captivating solo piano track serve as palate cleansers for the ears and mind. There are no shortages of gems here.

"O Sad And Future Human" paints an honest and extremely well structured portrait of a journey through the emotional spectrum. Whether you're an avid Post Rock lover or an occasional visitor of the genre who feels that a little goes a long way, there is something here for you. This is a strong debut by a group who I hope will continue to produce beautiful music for years to come. For fans of Mogwai, Explosions In The Sky, Pelican, This Will Destroy You and Godspeed You! Black Emperor.


Standout tracks: Where's The Sun, Does This Shirt Make Me Look Dead?, A Hero's Aftermath, A New Look At Marilyn Monroe

Tuesday, March 16, 2010

REVIEW: Bullets In Madison - We Became Your Family When You Died

7.75 out of 10
Find it here.

Bullets In Madison are a (relatively) newer group hailing from Chicago, the kind of music they create is lush & cinematic Post-Rocky Shoegaze. "We Became Your Family When You Died" is their latest offering (2nd LP) of terrific "should have been more popular by now music". Imagine a meshing of Broken Social Scene, Mogwai, Labradford, Radiohead, and maybe a little Sigur Ros. If you're reading this and you already know about this project chances are you know that this whole album is free.. If you have haven't heard of this group by now chances are you will download the album and spread the word like wildfire (trust me, this IS up your alley).

Within the walls of "We Became Your Family When You Died" lays gorgeous strings swelling and drowning underneath a plethora of washed out guitar plucks & reverberations, epic drumming, alluring sprinkles of piano, and vocals that are melancholy, romantic, and somewhat relaxing. Each song on this ridiculously under priced album is somewhat of an epic adventure from start to beginning. The tracks just build, build, and build, what they unleash can sometimes come as a surprise. I can guarantee you this, if you're a fan of Post Rock with vocals you will LOVE this band. If you're a fan of extremely polished Indie Rock records or Nu Gaze music you will also love this. IF YOU'RE A FAN OF MUSIC AT ALL YOU SHOULD LOVE THIS. Is there any reason your still reading this? Go, go download NOW.

This is the kind of music you want to play live if you're in a band. The kind of music that you can REALLY connect to on an emotional level. Every note, every sound, every lyric puts this deep seeded feeling inside of your ear heart that just won't let go till it explodes causing your body to quiver from buoyant rhapsody (kind of orgasmic I suppose). How often has the word "F-R-E-E" let you down? Highly Recommended.

Standout Tracks: Animals, Joel Found His Angel Cowering In The Garden (love this track), Riots (should be called "Sigur Social Scene"), St. Jude (mmmmmmhmmm), Crimes

Monday, March 15, 2010

EIC'S10Q'S w/Dorias Baracca

"..equal parts Slowdive, Ride, Interpol, Mogwai, and any other project that derives it's sound from soaring guitar transmissions with layers (upon layers) of sustained metagalactic noise. The only difference between this group and previous mentioned groups is that those bands had years to develop their sound. I firmly believe that most people aren't born with the kind of ears it takes to develop these kind of "Rock" sounds. The unimaginable amounts of layers/filler noise/walls of sounds within this band's debut EP are more than enough to make any veteran rocker jealous. Which is, precisely why it's so important to keep mentioning these guys are only teenagers.."


Dorias Baracca
Blossoming Cosmonauts

Dorias Baracca Bio:
Hailing from Odense in Denmark, Dorias Baracca are almost too young to be making the intense, yet beautiful shoegazing music that they do.

Growing up on a diet of Slowdive, Chapterhouse, Cocteau Twins and Ride have given them a musical maturity that belies their 17 years. The EP manages to encompass the swathing walls of noise that Slowdive created with their early EPs, as well as the driving guitar wizardry of Ride and Swervedriver.

Following their debut London shows back in October, the Hands At Melting Point EP is their debut release, produced by Jonas Munk (Manual). On stage they are a blisteringly loud maelstrom of swirling feedback and melodic chaos that rivals other self-confessed noise masters like A Place To Bury Strangers.



Hello, how are you?
We’re fine, how about you?

What are you currently listening to?

Buster: Stars of the Lid
Aske: Slowdive
Jeppe: Cat Power
Simon: Ride

How long has your band been together?
Since Spring 2007 and Jeppe joined Spring 2009

Was there a particular band/album that inspired you to create the music
that you currently write?

"Loveless", "Isn’t Anything", "You Made Me Realise", "Souvlaki", a lot of fuckin’ Sonic Youth, some M83 and some Leonard Cohen and Mogwai and Loop and Lush and Low and Adorable and Dinosaur Jr. and Echo and the Bunnymen and Earth..

How did Club AC30 find you?
One of our good friends’ big brother is Jonas Munk (better known as Manual) and he mixed our EP and he later on sent it out to some different labels, where AC30 were one of them and he recommended us to go with Club AC30

Is there a title/tentative release date for your debut full length album?
Well we haven’t really talked about it, but we are soon ready to go to the studio once again, for a full length album

Any international tour dates in the works?
We’re trying to work out a tour through Hamburg, Berlin, France and the UK

If you could do the score to any existing movie out there which would you
chose?

Buster: Lost in Translation
Aske: Dead Man
Jeppe: The Crow
Simon: Pi

You can only keep/listen to ONE album for the rest of your life… which
album would it be?

Buster: "Henry's Dream"
Aske: "Just For A Day"
Jeppe: "Raw Power"
Simon: "Loveless"

Are you living your dream?
We are living the daydream nation

Thanx Robin!

Dorias Baracca are currently touring here and there in Europe, pray that they will one day visit the US...