Showing posts with label terry riley. Show all posts
Showing posts with label terry riley. Show all posts

Wednesday, April 7, 2010

Ghostly to release a Terry Riley album..?

From Ghostly:

Terry Riley’s pioneering work of minimalism “In C” (1964) is a truly elegant and unique composition. Comprising 53 brief musical “cells” lasting anywhere from a half a beat to 32 beats, “In C” can be played by any number of musicians, on any instruments of their choosing. The piece shifts from cell to cell by unspoken collective will, becoming a hypnotic ritual of musical community. “In C” can last anywhere twenty minutes to several hours and beyond. At various moments, “In C” sounds like a cascade of laughing birds, a mountain lake humming to itself, or mating season in a herd of wild pianos. At all points, it is beyond beautiful.


Ghostly International and Wordless Music present the Grand Valley State University New Music Ensemble ’s exemplary performance of Terry Riley’s “In C”, recorded live at NYC’s Le Poisson Rouge on November 8th, 2009. The 16-person ensemble—including special guest NY electronic producer/composer Dennis DeSantis on laptop and effects—plays “In C” in a trim 65 minutes, filling the room with pulses, note clusters, and undulating walls of sound. As DeSantis’ electronic noises dance around the periphery, Riley’s masterpiece has never sounded more otherworldly.

This is Ghostly’s first classical release, and the first in a new series of collaborative releases with Wordless Music, a NYC-based organization devoted to the idea that the worlds of classical and contemporary instrumental music share more in common than most might think, pairing artists from the classical and indie/electronic worlds for one-of-a-kind concerts. Past Wordless Music performers include Flying Lotus, Sigur Ros, Nosaj Thing, Four Tet, Beirut, Andrew Bird, and Explosions in the Sky.

This is why you care:



Terry Riley is one of THE pioneering electronic musicians..it only makes sense to team up with Ghostly.

Monday, March 15, 2010

REVIEW: Roll The Dice - Roll The Dice

6 out of 10
Find it here.

A little while ago while looking at one of my favorite sites for great "underground Electronic" music I came across a band called Roll The Dice. The review for RTD stated that they were a Fever Ray off-shoot of some sort, so I immediately became intrigued and double-clicked my little heart out. Upon further listening I came to the conclusion that although the artist may have helped in the studio, Roll The Dice sound nothing like Fever Ray. Instead RTD sound more like John Carpenter, maybe Laurie Anderson or Terry Riley mixed with a little bit of Arvo Part.

This is the official debut recording from Swedish duo Malcolm Pardon and Peder Mannerfelt, but they are not new to the scene. On top of Mannerfelt's other moniker, "The Subliminal Kid", he also produces for and tours with Fever Ray. Pardon composes scores for film and television. Mr. Mannerfelt & Mr. Pardon shared studio space in Stockholm for several years, so it only seemed natural that they would finally decided to join forces and release something together. Every track started and ended in the same way with this release, there were no pre-conceived notions/ideas, but they had to complete a track by the end of each day, a kind of "free-for-all jam session" with a goal in mind. The synthesizer seems to be the main instrument that sticks out, but there are also other elements like odd white noise samples of some sort, a few mid-tempo pulsations, and of course the beautifully sparse piano compositions. I would definitely recommend this album to all Emeralds fans or people that really like to dissect sound while listening to it. The formula for Roll The Dice is pretty straight forward, piano + synths + nothing else (no computers) = a minimalists fan's dream come true.

Fans of synthesizer and/or piano work will be intrigued. If you are not a fan of either instrument this may be a difficult album for you to except, but given a little patience it may grow on you. Minimalism is definitely the key note on this one.

Standout Tracks: They all have a flow to them, I don't really have a "favorite" track per say, I like the album as a whole more..