Showing posts with label christina vantzou. Show all posts
Showing posts with label christina vantzou. Show all posts

Monday, February 24, 2014

EIC's 10Q's w/ Elise Mélinand

"..blissed out with graceful Ambiance.."

(Photo credit : Pauline Well) 

Elise Mélinand
Euphoric Benediction

Elise Mélinand Bio:
Elise Mélinand is a singer-songwriter / composer from Paris, France. The combination of her soft, childlike vocals provide a stark juxtaposition to her sometimes frenetic yet widescreen vignettes.  Mélinand originally studied cello at the conservatory until she realized that she much preferred working on more personal musical ideas. Quitting her studies she immediately starts to experiment, via a tape recorder, with any instruments or household implements she could get her hands on.  At 19, Mélinand travels through Eastern and Northern Europe. These travels prove to be intensely inspirational. Shortly after, she relocates to Berlin, and purchases her first guitar and begins to write songs. There she meets Florian Frenzel, a post-pop-punk musician with whom she records her debut EP 'Le voyage' utilizing a collection of old analogue equipment, including an old reel-to-reel from the former East Berlin radio Rundfunk der DDR.  In 2012, Mélinand ends up meeting artist/composer Christina Vantzou (Kranky / The Dead Texan) who recruits her to play in her (The) Little Prism Ensemble from whom they share bills with Nils Frahm, Johan Johansson & Max Richter. This whole new world of music gives her such deep inspiration that she starts working on sketches that will later become her debut album.  Mélinand then heads back to France and purchases herself the equipment to write music in the comfort of her home. This period is also where she transitioned from her day to day composition tool of guitar to a computer. She eventually meets the electronic musician Franck Zaragoza (Ocoeur, n5MD) who then becomes a strong musical influence.  In March 2013, Mélinand sets out to record her debut album 'Gray Hoodie'. The album being recorded mostly at her parents' house, utilizing each room as a unique recording space. Mixed and mastered by her old friend Florian Frenzel in Berlin.


Hello, how are you?
Hi 'EverythingIsChemical'. I'm doing very well, thank you. Hope you are too!;D

What are you currently listening to?
I have been listening to 'We Were Young Boys' by Sin Fang, 'Fuel To Fire' by Agnès Obel and 'Remembering' by Avishai Cohen quite a lot lately. They are very inspiring artists.

What or whom inspired you to pick up an instrument?
I was 7 years old. I went to a birthday party with my parents where an old man's gift  was to play cello. I was so moved by the sound of the instrument, I fell in love with it straight away. I got the chance to study it at the Conservatory for some time then. I also play piano probably because I've been watching my mom and grandma playing it for many years. It made me want to try it as well!

Was there a specific sound you were going for when you began your writing your solo material?
I wrote 'Gray Hoodie' in Berlin where I got to meet artists such as Christina Vantzou, Nils Frahm, Franck Zaragoza, Florian Frenzel & Will Samson who are passionate about the different ways of recording sounds. I learned a lot from them. It actually gave me quite a lot of ideas on what I wanted to try out musically. I also remember listening to James Blake's debut album almost every morning before setting-up my recording studio. I found a lot of inspiration in his music.

Care to shed some info on your latest release; theme, favorite track(s), etc?
'Gray Hoodie' was made with love and a lot of good vibes. I wrote it for a friend who I care a lot about.. It is kind of a way to thank him for everything he gave me. The songs are all related to each other. One learns more about the Gray Hoodie story through the whole record. I also unfortunately lost my beloved great-aunt while recording the album. I have dedicated her one song..

Will you be touring extensively for said release?
Yes, I'm looking forward to playing the songs live! The tour dates will be available soon on my tumblr & facebook.

Got any other projects we should know about?
Well, I am glad to announce that I am going to work with Franck Zaragoza aka Ocoeur again! He kindly asked me to feature a track of his new record. I'm excited about the collaboration, I feel like we understand each other very well.

What movie would work best on mute while listening to you music?
I'm thinking of 'Me And You And Everyone We Know'. Do you believe it would work too?;]

You can only keep/listen to ONE album for the rest of your life ..which album would it be?
I think I would pick up Ocoeur's. Not because he's a friend a of mine, but because his debut album 'Light As A Feather' was a big revelation to me and it'll always be.

Are you living your dream?
More every minute!

Thanx Elise (and Mike too!)

Elise Mélinand recently released 'Gray Hoodie', get that HERE...

Monday, April 30, 2012

EIC's 10Q's w/ Christina Vantzou

"..minimal/basic beauty.."

(Photo Credit: Julie Calbert)

Christina Vantzou
Quiescent Grace

Christina Vantzou Bio:
Christina Vantzou is an artist, musician, and composer. Born in Kansas City, she attended the Maryland Institute College of Art in Baltimore (1997-2001) and moved to Brussels in 2003 where she currently resides. Over the past decade Christina has made drawings, prints, animations, videos, and video installations. In recent years sound has become a key aspect of her artistic identity. In 2003, Christina met Stars of the Lid's Adam Wiltzie and together they formed The Dead Texan (Kranky). After several years of touring with The Dead Texan becoming a touring member of Sparklehorse (summer 2007) Christina started making music of her own. Over a three-year period, using synthesizers, samples, her own voice, and working by ear, with Reason, and a homemade library of orchestral samples, Christina meticulously pieced together a 45-minute music composition. In 2010 she began working with Minna Choi (director of Magik*Magik orchestra), who translated the digital score to sheet music for a seven-piece ensemble. This collaboration culminated in recording sessions with Magik*Magik at Tiny Telephone in San Francisco. The album was mixed and mastered in Brussels and was released on Kranky on October 24, 2011. Titled Nº1, it is the first installment of a planned series of recordings by Christina with an orchestra component. As a whole, Nº1 includes the release of a CD, a film, and a selection of remixes by various artists.


Hello, how are you?
I'm very fine thank you.

What are you currently listening to?
In the last 24 hours I've listened to Debussy, Fuck Buttons, Laurie Spiegel and Danzig.

Why the length of time between The Dead Texan and now, what prompted your "return"?
I didn't really seem like a timeout to me....I've been working steadily, nose to the grindstone, it just wasn't publicly visible until the release of Nº1.

Speaking of The Dead Texan.. I gotta ask, will that project ever see the light of day again?
Dream on Dead Texan fans....

I love the remix companion you just put out, how did you go about choosing the artists to contribute?
I first asked White Rainbow to do a remix because I'm a fan of his music and we had recently met and i intuitively thought it would be an interesting experiment. When he said he would do it I pondered who else might be into it. I started emailing friends and acquaintances with remix requests....sometimes I got a yes and sometimes a no. I just kept writing people until I had 10 who were in.

Is there another solo LP in the makes?
Yes!!! Nº2 is in the works.

Who is your favorite Kranky artist of all time?
There are many, too many over the years to pick a favorite. I've clocked in hours and hours of Low, Godspeed.., Labradford, Pan American, Loscil, Atlas Sound, White Rainbow, Stars Of The Lid...Ken Camden is a newly discovered favorite.

Got any other projects we should know about?
Well....I'm working on an album made of synth samples only. I've spoken about making a dance record but I keep churning out the slow jams. Can't help it.

You can only keep/listen to ONE album for the rest of your life ..which album would it be?
Big Boi's 'Sir Luscious Left Foot The Son of Chico Dusty'. And I'd sneak in the B side of Laurie Spiegel's 'The Expanding Universe' for contrast.

Are you living your dream?
My dream changes every minute.

Thanx Christina!

Christina V. is currently on tour in Europe, make sure to check out a live show if you're in the area..

REVIEW: Christina Vantzou - Nº1 Remixes

7.5 out of 10

Christina Vantzou first came across my radar (and probably yours too) with the 2004 Kranky release 'The Dead Texan', which was a project with her and Adam Wiltzie (Stars Of The Lid/A Winged Victory For The Sullen). To this day I still think "Glen's Goo" is one of the best Kranky songs of all time. Needless to say I will be in this/these artists debt(s) for as long as they record/I live. After Dead Texan Christina went on tour (as a traveling member) with Sparkling Horse (whom I miss:() and began writing material for her debut release 'Nº1'.

This is the remix companion to 'Nº1', Christina asked some artists (Loscil, Dustin O'Halloran, White Rainbow ..to name a few) if they were interested in remixing her work. Some said yes, some said no. The first 10 (and best probable) choices were picked. Judging by the artists on here, I'd say Christina hangs out with a pretty interesting/awesome crew. The original intention of Ms. Vantzou's work was minimal/basic beauty generated from a synthesizer (or something close to it in nature). That same "theme"/overall tone is still present on 'Nº1 Remixes', only as seen or heard rather through other perspectives. I will say that the original songs felt "almost darker" than this release, the remixes are a little more "light and airy" I suppose. But I think that the choices for the remixes were chosen well, they all "pay homage" to Christina's sound quite perfectly. Slow moving synths, drones, white noises, etc. meets Neo Classical Ambiance mixed with a few vocals (which I found surprising and inviting) + a few minimal structures built on top (I don't want to say "beats"), and just that "nice-niceness" that you'd come to expect from anyone related to the Kranky family. You know how it goes, new Kranky = happier EIC.

Nuthin' here but gorgeous stuff, hear to lull you. Recommended.

Standout Tracks: And Instantly Take Affect (Loscil Remix), Prelude For Juan (Montgomery Knott Remix), Small Choir (Ben Vida Remix), 1111 (Dustin O'Halloran Remix), Steady Beamin (White Rainbow Remix) <-LOVE THIS SONG., Homemade Mountains (ISAN Remix), The Adversary Of Evil Budd (Bonus Track From The Dead Texan) <-!