Showing posts with label broadcast. Show all posts
Showing posts with label broadcast. Show all posts

Saturday, July 6, 2013

EIC's 10Q's w/ Puce Moment

"..psychedelic-mechanical.."


Puce Moment
Paralyzing Darkness

Puce Moment Bio:
Puce Moment is the musical and visual project of Nicolas Devos and Penelope Michel (aka CERCUEIL). Kenneth Anger ay not necessarily be the name that will come to mind when listening for the first time - distracted, confused, disoriented - to Puce Moment's debut album. Yet it is the only one that will seem relevant upon second listen -narcotic, infernal, fascinating.  Puce Moment does not only borrow a title (of his eighth short film, made in 1949) from the baron noir of experimental cinema. Ghostly wanderings, satanic Masses, mystical romances, mechanical hell : everything in the duo from Lille (France) and their album in form of an invocation to ancient Sybarites authorities refers to the Californian filmmaker's obsessions. Launched in 2006 by Nicolas Devos and Penelope Michel, along with their project Cercueil (responsible for three albums particularly noteworthy), Puce Moment has so far existed mainly on stage, diluted over time (a handful of concerts only) and image ( projections, performances or contemporary dance pieces). Ice, dust and blinding flashes of white light : Puce Moment had the scene, the soul and backbone were only missing. This will be achieved in 2012. Isolated in a cabin, the duo composed and recorded nine songs that make up their first album, between spectral marauding ("Moonoom") and drone wizards ("Legacy"), resurrecting old ghosts ("Video Dada" single title survivor of their invisible past), revealing the first images of a future draped in chrome ("L'ombre", composed for choreographe (Christian Rizzo's new project ). Mastered by Joe Lambert (Animal Collective, Young Magic, Dirty Projectors), Puce Moment is both the sum of a singular journey, fueled by forays into dance and cinema - a confirmation of their simply unreal abilities - and the beginning of a long and disturbing procession. Their next step will be the stage for which the group is preparing a set modeled after their music: blazing, poisonous, untouchable, but always human.


Hello, how are you?
We are quite ok, we just came back from our rehearsal for our forthcoming shows at Mixtures Festival in Bordeaux and at Trabendo in Paris (with Liars). The sound was good so we can expect good shows. The only problem come from our van, the poor boy is getting old so we have to fix some problems before we hit the road. So is our car ok..?

What are you currently listening to?
We just got few different vinyl records, so we are listening to those these days... lasts releases being; The Knife, PVT, and Matmos. We finally succeeded in finding the vinyl version of Liar's 'Drums Not Dead' so we are also listening to that. We also bought the 'Berberian Sound Studio' movie soundtrack made by Broadcast (the movie was good too by the way, something like early Polanski). We  went to a second hand market and found lots of good oldies as well; Satie, Les Percussions De Strasbourg, Ligeti, Stockhausen... all very cheap, we were lucky that day!

Is there a story behind the band name?
The name "Puce Moment" comes from a Kenneth Anger movie. Kenneth Anger for those who don't know is an experimental underground filmmaker from the early 50's. He realized such movies as Scorpio Rising, Lucifer Rising, Invocation Of My Demon Brother...The music takes a really important place in all of his movies. Puce Moment was one of his first short movies made in 1949, with two great songs by Jonathan Halper on it.

When did this project come about and did you have a planned sound you were going for?
The project was created in 2006, at first we didn't plan to record an album or to tour with this project. It was only one time shows or music we made for a movie, theater, and/or dance. We decided last year to record some of this music we made for these events and make them into an album. Before we recorded the songs, we wanted to have time to creates new ones, so we rent a small house in a forest and came with all our gear. We finally created there a whole new album, so we gave up with the idea of recording the old work.

Care to shed some light on your latest s/t LP; theme, favorite track, etc?
We can't say there were a theme behind the album. We try to have all of the songs different from one and another while at the same time we wanted the album to stay coherent in it's entirety. We gave up songs that finally didn't fit with the whole album but will perhaps fit those on a new release one day.

Will you be touring extensively for said release?
Yes we would love to! We are starting to book shows ourselves, but we would really need to find a booking agent. So we are open to any suggestions;]!

Got any other projects we should know about?
We are running another band together (Penelope & Nico from Puce Moment), this band is called Cercueil, which means "coffin" in French. We could say that Cercueil is more Pop or "more direct" than Puce Moment. We already recorded two albums with Cercueil. We are also touring this year with a live soundtrack project on David Lynch's 'Eraserhead'. We already played few festivals in France with this project and we will be playing Finland and Nederland this summers as well.

What movie would work best on mute while listening to you music?
Well on Eraserhead our music fit well, but we recreated a complete soundtrack for the movie so that's why it fit so well. But if you were just muting a movie and playing the Puce Moment record, perhaps on one of Guy Maddin's movies (his latest 'Ulysses Souviens-Toi!' is amazing) or maybe Hiroshi Teshigahara's 'Suna No Onna'...

You can only keep/listen to ONE album for the rest of your life ..which album would it be?
I would prefer not to listen to music anymore and remember the music I used to listen to than to listen to the same album till the end of my life. But if we had to choose one, perhaps 'Flaming Tunes' by Gareth Williams and Mary Currie.

Are you living your dream?
I would say we are trying to build some...

Thanx Nico & Penolope and Jerome too!

Puce Moment recently released their debut LP, make sure you check into that right away..

Monday, October 29, 2012

REVIEW: Melody's Echo Chamber - s/t

8 out of 10

Let's face it, ever since Trish Keenan (Broadcast) passed away there has been a certain void in forward-thinking Neo/Post Psych Pop sounds. Lucky enough for us Melody (and her Echo Chamber) took it upon herself to fill this void.

Melody's Echo Chamber is a perfect combination of (cutesy-)Dreamy Indie Pop with a twist of flourishing/colorful Psychedelia, that "French sound" that we as listeners can never get enough of (I can't anyways), and a few other eccentric Electronics noises/samples. I'm pretty sure this is all mostly live instrumentation (drum, bass, guitar, and a synth) but there are a few trippy samples thrown into the mix that really give this artist the edge over all other (current) Post-Psych Pop artists. Like a bright haze of confusing color floating like a mist over melted Pop art, Melody's Echo Chamber's debut release is one not to be missed and it has me completely curious about her next move..

The cover art for this album probably said all that I just said, but better..

Standout Tracks: Crystallized, You Won't Be Missing That Part Of Me, Bisou Magique, Quand Vas Tu Rentrer (LOE this.), Snowcapped Andes Crash

Monday, October 1, 2012

EIC's 10Q's w/ Bryter layter

"..a tiny plant is blooming and blowing amidst a synthetic breeze.."


Bryter Layter
Zoned Out Biology

Bryter Layter Bio:
Comprised of Joseph Raglani (Kranky) and Mike Pollard (Arbor), Bryter Layter is a collaborative unit that focuses on the lyrical faculties of analog synthesis. For the most part, these recordings find the pair eschewing the at-times unfocused, long-form drone techniques that have become fixtures in the scene in favor of short, melodic compositions that are strikingly rich in detail. Listeners familiar with the oeuvres of Raglani and Pollard will find much to love here. As the pillow-soft, analog tone-clouds that characterize the latter's work as Pale Blue Sky find themselves wed to the highly structured, dynamic arrangements that one associates with the former's solo output."Two Lenses" is rich and cinematic, rife with evocative motifs which ebb and flow from one piece to the next creating, over the course of the album, a masterfully composed, unified whole. "Your Verdant Skin," the opening salvo, brings to mind Popul Vuh's work for Werner Herzog at its most grandiose, as waves of rising, symphonic tones surge and dissolve, carrying us along with them. "First Light," with its startlingly catchy syncopated rhythms, illustrates perfectly those qualities which set Bryter Layter apart from their synthesist contemporaries, with Raglani and Pollard channeling wistful, sun-washed pop sensibilities into the cold facades of their machines. Recorded live and meticulously arranged by Raglani at his home studio, and mastered by Greg Davis to supreme effect, "Two Lenses" builds upon and extends the qualities established on the pair's 2009 cassette release "Imprinted Season" in every way. Their work here runs the gamut from maudlin and picturesque to profoundly hopeful always with an eye towards the beautiful. Due out late October/early November. LP includes digital download coupon. First 50 copies on clear vinyl.


Hello, how are you?
Ask me tomorrow.

What are you currently listening to?
I recently picked up Bjork's 'Biophilia', Belbury Poly's 'The Belbury Tales', Matsuo Ohno's 'I Saw The Outer Limits', Aaron Dilloway's 'Modern Jester'... Stuff that I've picked up in the last 6 months but that I can't stop listening to... Pete Swanson's 'Man With Potential', Ursula Bogner's 'Sonne = Blackbox', Broadcast & The Focus Group's 'Investigate The Witch Cults Of The Radio Age'. Also I have been revisiting a lot of the INA GRM titles.

How did this project come to be?
Mike and I played in Chicago at the last Yellow Swans show in the US. I think we had met briefly before in Saint Louis but we got to chatting in Chicago. Mike asked me to do a tape for Arbor. So I did 'Classically Sprained' for him. After that I suggested we do a mail collaboration together. He sent me tapes and CD's of some basic tonal things and I worked the material into song form. This is what ended up becoming the 'Imprinted Season' cassette. That was quite an enjoyable experience, things came together really quickly and the ideas just kind of flowed out. Then in the summer of 2009 Mike stayed in Saint Louis and we recorded some more tracks that ended up being the other half of 'Two Lenses'.

Soo Nick Drake, is he a big influence?
For me yeah. I haven't listened to him in ages. There was a time in the early nineties after my Post Punk band broke up and I was sort of trapped in a living situation in which I had to be very quiet that I taught myself finger style guitar and listened to nothing but Nick Drake and John Fahey for a few years. A lot of serious stuff was going down with my family and Drake's music was kinda my only councilor at the time. I think that's one of the reasons why I don't revisit him a lot nowadays but it's very much a part of my core being. A lot of stuff is like that for me. Joy Division, 'Astral Weeks', 'Ocean Rain'... it's an inescapable part of my musical makeup. It seeps out in all kinds of instances. When Mike and I were trying to come up with a name I suggested Bryter Layter. We agreed. I had no idea if Mike had ever listened to Nick Drake or not. We certainly didn't sit around listening to him or he wasn't the musical link that brought us together. I just think the idea of the name, something that will blossom in the future... kinda fit. Then when Mike did the cover for "Imprinted Season", it really seemed to solidify in my mind. Also when I started playing synthesizers seriously there were a lot of people who hated the idea of guitars in electronic music. Especially acoustic guitars. I always thought of electronic music as a form of folk music and didn't quite understand the kind of purist approach then. I just used what I had lying around to make music. So I guess part of me wanted to point this out, that this is modern folk music. Noise, Synth music.. whatever it is it's very homebrew, political and intimate in my opinion.

Will you be touring anytime soon?
 I'd like to.. Mike? We've only played to gigs. One in NY and one in Saint Louis. The distance thing surely doesn't help and we both seem to have our plates full with other commitments. I'd like to though.

If you could collaborate with any other artist of your choosing whom would it be with?
That's a hard question to answer. There are so many. I have a lot of friends that I've thrown that idea out there to but nothing has come of it. I'm still waiting for John Elliott, Roger Tellier-Craig and Keith Fullerton Whitman to send me tracks. I find the idea of collaborating with someone of an older generation very appealing at the moment. I think there is a lot to learn from them. I've always wanted to ask Tony Conrad to do something. I've even met him a few times and had diner with him but I haven't gotten up the nerve to ask him yet. I toyed with asking Conrad Schnitzler but that's not going to happen now. I once asked Sonic Boom / Pete Kember but I never heard back. As far as a collaboration with Bryter Layter?? I don't really know. I'm not sure if there will be another Bryter Layter album. I think maybe this is the conclusion of some years of hard work and maybe it's time to move on.

Got any other projects we should know about?
I'm currently finishing the follow up to 2006's 'Of Sirens Born'. I'm pretty close to being finished. I've got a lot of material done it's just a matter of selecting what fits together the best and fleshing out those bits. I think it will be 100% done soon. Then it's just finding the right home for it. By the time this interview is done Mike and I should have copies of 'Husk', my double LP that Mike has put out on Arbor. Pretty excited about that, it's been years in the making.

What movie/tv show would work best on mute while listening to your music?
Haha. Not sure. I've definitely done this in the past while making records. Honestly I really think John Davis did a wonderful job on the video for "First Light". So I'd have to say him. I tried to get him to do a video for every song on the LP because I loved what he did so much.

You can only keep/listen to ONE album for the rest of your life ..which album would it be?
I hate these types of questions... Probably something like 'Que Habitat' by Josquin Des Prez. Something of beauty and regeneration. I figure if I find myself in a situation in which I can have only one album then I guess things have gotten pretty bad in the world and you would need something to keep you going and maybe something to kick-start civilization again.

Are you living your dream?
I'm living my 15 year old self-dream. The one that fantasized about music but without any real clue about life or how the world worked. In that regard I've gotten everything the 15 year old Joe asked for except the hair!

Thanx Joseph!

Bryter Layter is currently/maybe on hiatus, but there are tons of other projects both artists are involved in, I suggest you catch up;]...

Friday, January 14, 2011

R.I.P. Trish Keenan

R.I.P. Trish Keenan
1968-2011


Her music left a beautiful mark in my ears that I won't ever forget..

Thursday, April 29, 2010

REVIEW: Sweet Trip - Velocity Design Comfort

8.75 out of 10

Last year a slightly unknown band (a band I've never really heard anyone talk about anyways) released one of my favorite albums. The band is Sweet Trip. The album is "You Will Never Know Why", which was an interesting fusion of Bossa Nova style rhythms/sounds combined with Dream Pop, the end result being "crack addictive music".. Anywho, since then, I've made it point to try and collect most if not all of this band's impressive back catalogue. One of those release would be "Velocity Design Comfort", which still has the element of Dream Pop that I love so much, but instead of a stronger focus on "light hearted/breezy" atmospheres the direction shifts more towards sporadic "noise" and glitchy electronics. Think Jamie Lidell's first album meshed with sounds you could hear on a Broadcast album.

White noise, distorted twinkles, blurps, bleeps, scratches, catchy guitar riffs, easy-breezy (& beautiful) vocals, and a few other sounds that are nigh indescribable make this album a true standout amongst the many Dream Pop acts that currently over populate my Ipod. The thing I actually like the most with this release is Roberto Burgos' playful mix of electronics/distortions. Some of the electronics could have easily been placed on an Aphex Twin album without question, but that didn't stop Mr. Burgos from placing them on a "Dream Pop" album, which honestly just puts the biggest smile on my face. On top of the super sacchariferous music there is an even sweeter sound to be discovered which is Valerie Reyes' cavity inducing vocals. Ms. Reyes sings (and hums) her little heart out on nearly every track. Sometimes I am reminded of Trish Keenan (Broadcast), other times Allysa Masais (Mahogany). Actually, much like the band Mahogany, this band shares the same ideas/concepts, which is this; amazing music that should be waaaaay bigger than what it currently is and a "style" that is unique to said band only.. And truly, if any of the bands mentioned aboves get your mouth salivating with curiosity you need to hear this band right now. Please, if you like some of my recommendations take this one seriously, these guys will melt your heart away/get your blood moving & overall just put you in a good mood.

Sweet Trip should be Warp Records first official Dream Pop band, it just makes sense. Recommended for fans of Dream Pop most definitely. Recommended also for fans of twitchy electronics/IDM intertwined with upbeat pop music. NM, Recommended for fans of good music only, I love this s^!#. HIGHLY RecommENDed.

Standout Tracks: Gawd, they're all so good.. Velocity, Fruitcake And Cookies, Sept, International, Dedicated To All The Dancers Of The World A Round Form Of Fantasy

Tuesday, July 28, 2009

Atlas Sound w/Broadcast Tour

10-15 Atlanta, GA - The Earl
10-16 Chapel Hill, NC - Local 506
10-17 Washington, D.C. - Black Cat
10-18 Philadelphia, PA - First Unitarian Church Sanctuary
10-20 New York, NY - Le Poisson Rouge
10-21 Brooklyn, NY - Music Hall of Williamsburg
10-22 Boston, MA - The Paradise
10-23 Montreal, Quebec - Le National
10-24 Toronto, Ontario - Lee's Palace
10-25 Columbus, OH - Wexner Center
10-26 Chicago, IL - Bottom Lounge
10-27 Northfield, MN - The Cave
10-30 Vancouver, British Columbia - Richards On Richards
10-31 Seattle, WA - Nuemos
11-01 Portland, OR - Doug Fir Lounge
11-03 San Francisco, CA - Great American Music Hall
11-04 Los Angeles, CA - The Troubadour
11-05 Phoenix, AZ - Rhythm Room
11-07 Denton, TX - Hailey's